Friday, September 25, 2009

New official Twitter of ALMAH!!!

Almah launches the new channel: official Twitter account
It will keep you informed concerning all the news about Marcelo's band! Stay tuned and follow! (Designed by Antonio Cesar)

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Wednesday, September 23, 2009

Marcelo Barbosa launches new official website

Marcelo Barbosa (guitarist of Almah and Khallice; GTR Guitar Institute owner and professor) launches the new layout of his official website . The new design is created by Carlos Fides from ARt SIdE (also Almah, Edu Falaschi, Shaman among other clients). The new Marcelo Barbosa’s website edition represents the complete information about various activities of this great musician and musical professor with his bands and Institute including latest news, schedule of the shows and workshops, equipment, pictures, discography, lessons and much more. The new stylish layout with convenient navigation and rich contents provides the easy access to Marcelo Barbosa’s guitar world.
In addition, Marcelo Barbosa represents his new official blog, Twitter and Youtube layouts.
See also about Marcelo Barbosa:
Official Myspace,
Official English Blog.

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Sunday, September 20, 2009

New Marcelo's interview!

The original text in Portuguese
To read the whole text, please, use "read more" button.

1) What is your first musical recollection?

I grew up in musical atmosphere, in spite of that fact that I became the first musician in my family. I always listened at home to MPB (music popular brasileira) like Elis (Regina), Djavan, Caetano (Veloso), Gilberto Gil among others, and I think that all this formed my attitude, some model for me. Thus any other kind of music I could listen to, would be compared with this base, deliberately or not. I was pretty influenced by the explosion of Brazilian rock. At that time there were born bands like Legião, Capital, RPM and others, it was like a real epidemic of rock bands in the city, and as a teenager I couldn’t stay aside. But what really kicked my ass, was the first Rock in Rio festival. I already had a guitar but it was a kinda toy for me. I played from time to time, not having many ambitions. The festival was opened by Globo, and I remember that I was a bit scared by all this. It was a very electrified the world, and I still remember Angus Young or David Coverdale on stage very clearly. At that moment this seed was sown in my head and a bit later, when I was about 15-16, I was sure what I’d like to do in my life.

2) Your first job in music?

It depends on what do your mean saying “job”. It began early. When I was 16-17 I was already playing at nights in the clubs, and before I performed on school festivals and friends’ parties. More or less at the same time I started to give private lessons of acoustic and electric guitar and with time I was hired as a teacher by the two biggest musical schools here at that time. I suppose, it’s possible to call “my first job in music” all this, the private lessons as well as these nights at the restaurants. I used to play there, if I’m not mistaken, on Saturdays with Kátia Monteiro and it was great school for me having such an opportunity so early.

3) How and when did happen your first big appearance on the market?

This is also relative... I guess it happened with the launch of the first CD of Khallice, at first we released it independently, but then it was re-released in Brazil by Hellion Records from Sao-Paulo and some time later by Magna Carta from USA worldwide.

4) The highest point of your career?

Thanks God, it’s now.

5) The biggest disappointment?

I can’t remember anything. I try to keep the achievements and good things. Disappointments and frustrations stay only in my experience and learning. The proper facts are forgotten.

6) What kind of moment the musical scene in Brazil is having now?

I believe that it’s the same with the rest of the world. Some moment of transformation when no one can tell what will happen.

7) If you could change something in musical industry, what it would be?

To prohibit paid promotion of artists in mass-media. I consider it to be funny, because it’s not so hard to solve. Everyone knows it exists, everyone tells that something should be done with it, but no one has necessary power to solve it. Many years ago the situation turned over in this way and the problem is that the public doesn’t ask for anything. Everyone thinks that if any artist is on TV or on the radio, it’s because he’s great, due to his talent, musical abilities, charisma or whatever. In reality, the reason of having such a space is that the artist is almost totally financed or this is politics. This is a vicious circle, because most of the people accept those faces, who appear in mass media because they don’t know anything else. Thus, it becomes easier to make the consumers “eat” anything, as soon as they don’t have any power or any means to choose what to listen to and what to buy.

11) In marketing terms, what’s the difference between Brasilia and other states?

Despite of the fact that Brasília is still far from the ideal, it’s not bad anymore at all. I travel all around Brazil playing, and complaints are always the same everywhere. Even if we are talking about São Paulo or Rio de Janeiro. Brasília has always been a very musical city and the quality of productions here has made this fact very clear with time. I think our unique beautiful sky and our landscape, which is so green, give us a lot of inspiration. Besides this, before 80’s our city didn’t have a lot of entertainment options, and I suppose, for many habitants at that time it was a good solution to establish a band.

12) Give your advice to a young artist from the outside?

It would be the same for a musician from any other place. To live by music is not very easy in any place, and it’s the worst in a country without necessary base in education and health services. Be professional and it will be repaid. The music, besides being a great entertainment, is a hard work. Accept it like this.

13) If you could have a dinner with three artists (from the past or the present), who would it be?

Jimi Hendrix, Bach and Miles Davis. (Imagine this dinner...) We couldn't even know what kind of music would be played

14) What is the main question you would ask them?

It’s difficult to choose only one question. I guess, I would stay quiet, listening and trying to understand a bit the world of these three revolutionists.

15) In your opinion, who is the most special and greatest popularizer of Brazilian music in the world?

I suppose, it might be unfair name just one. Also, it depends on the style we are talking about: MPB/Bossa Nova or music made for brasileiros. From Carmem Miranda to Ivan Lins, including Tom Jobin, Villa-Lobos, Sepultura, Angra, Hermeto Pascoal among many others. I remember how much I became happy at the show of Chic Corea in Blue Note visiting New York for the first time! After the show we were looking at the posters of the past shows on the wall and we noticed Ivan Lins among tens of world-famous names. I was very proud at that moment.

16) The best things in Brazilian music for today, what should we listen to?

We have a lot of great things in all the styles, but the most of them can’t get the space they deserve in the major mass-media.

17) What is your next challenge?

I’m working at a few projects. There’s GUITAROSOFIA among others: the series of the video weekly guitar lessons in Youtube about the guitar technics, composition, improvisation and much more. Some great but unpretentious “chat” about music. The videos are available here: Actually, the project is much more serious, it’s just the first step.
After the first 20 lessons in Youtube one can buy them on DVD through my website or GTR website, but with partitures and tabs, in addition to 10 unreleased lessons which will not be published in Youtube.

18) Your favorite album (CD or Vinyl) of all times?

What a boring mania to make me choose just one thing among many great others... :lol: It depends on the day, my sense of humor, my mood. I like very much Revolver by Beatles, at least it came in my mind now. But I must confess that I’ve never thought about having just one unique favorite album, it could be very narrow to care about choosing only one album.

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Saturday, September 19, 2009

Marcelo Barbosa at Expo Music 2009 (São Paulo/SP)

Marcelo Barbosa’s Schedule (date/time/event/participants/stand):
September 24 (Thursday), on 14:30 - Marcelo Barbosa and Felipe Andreoli - NIG
September 24 (Thursday), on 17:30 - Workshop - Marcelo Barbosa and Felipe Andreoli - NIG
September 24 (Thursday), on 18:00 - Workshop - Frank Solari (Elixir) and Marcelo Barbosa (Elixir) - Izzo (Elixir Strings)
September 24 (Thursday), on 19:10 – Workshop - Condor (Orange Amps)
September 25 (Friday), on 14:30 – Workshop - Marcelo Barbosa and Felipe Andreoli - NIG
September 25 (Friday), on 16:50 Workshop - Condor (Orange Amps)
September 25 (Friday), on 17:30 – Workshop - TAGIMA
September 25 (Friday), on 18:00 – Signing Session - Santo Angelo
September 25 (Friday), on 19:00 Workshop Marcelo Barbosa (Elixir), Klaus Ximenes (SG), and Rodrigo Oliveira (Vic Firth) - Izzo (Elixir Strings)
September 26 (Saturday), on 13:45 – Workshop - Marcelo Barbosa and Felipe Andreoli - NIG
September 26 (Saturday), on 15:10 – Workshop - Condor (Orange Amps)
September 26 (Saturday), on 18:00 - Signing Session - Santo Angelo
September 27 (Sunday), on 15:15 – Workshop - Marcelo Barbosa e Felipe Andreoli - NIG
September 27 (Sunday), on 16:00 - Signing Session - Santo Angelo
September 27 (Sunday), on 16:50 – Workshop - Condor (Orange Amps)
September 27 (Sunday), on 18:15 – Workshop - TAGIMA


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Saturday, September 12, 2009

Tuesday, September 8, 2009

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